Showing posts with label Italian Wine. Show all posts
Showing posts with label Italian Wine. Show all posts

September 16, 2007

A Turbulent Flight of Wine

2006 Vermentino di Gallura Superiore Funtanaliras D.O.C.G.

My wife and I decided to picnic in Fairmount Park on Labor Day. She put together some delicious chicken pesto wraps for us to eat. To celebrate the symbolic end of summer, I wanted to bring along a special bottle of wine. As soon as I opened my cellar, I knew exactly which bottle to bring—the 2006 Vermentino di Gallura Superiore Funtanaliras D.O.C.G.

A gentle swirl released the subtle fragrance of apricots and mild flowers. On the palate, the tart apple and apricot flavors that introduced this wine were supported by a clean mineral texture and a slightly briney undercurrent. As these flavors began to fade, a playful arc of bitter almond breached the finish.

But what made this wine drink so well had nothing to do with its flavor profile or the fact that it paired well with the chicken pesto wraps. It had nothing to do with the vintage, the soil in which the grapes were grown, or even the fact that it was among the six bottles of wine that US Airways took from us in Rome. Rather, what made this Vermentino so special was that I kicked US Airways' ass to get it back.

Before we left for vacation in Italy, I knew we would be bringing home Italian wine. I also knew it was legal to do so. PA’s liquor laws are notoriously antiquated. It is illegal, for example, to bring wine across the border from New Jersey. However, strangely enough, it is completely legal to bring wine into PA from a foreign country—up to a gallon (a little over 5 bottles) per person. What’s even more surprising is that you don’t have to pay any taxes on it, not even the Johnstown Flood Tax. See 47 P.S. § 4-491(2).

Box of Wine

Knowing this, we brought with us to Italy a cardboard box that snugly held a two-piece Styrofoam container tailor made to cradle six bottles of wine (well under the PA limit for two people). This packaging is not novel. It is specifically designed to protect bottles during shipping and it’s used by wine merchants all over the world to ship wine safely to their customers.

L'Angolo Divino

In Rome, we befriended a wine purveyor named Massimo who owns an enoteca called L’Angolo Divino near Campo de’ Fiori. We asked him to fill the box with five bottles of wine, including some of the wine we enjoyed there the night before with relatives from Washington who were vacationing with us. The sixth slot would be used to carry the 1989 Chateau des Deux Moulins our relatives in Rome gave us.

1989 Chateau des Deux Moulins

When we arrived at the airport in Rome for our return trip, I placed the box on the counter to be checked in. When the US Airways clerk asked me what was in the box, I told the truth: wine. With that, she called over her manager, whom I’ll call “Mario” (not his real name). Mario took one look at the box and refused check it in. His initial reason for not checking the box was that the bottles would break. When I tried to explain the nature of the packaging, he cut me off and mindlessly repeated the bald conclusion that the bottles would break. Another clerk even joined in, shaking the box and mocking my explanation. It was insulting. And now I was fuming.

Mario then said two things: (1) there was a new policy prohibiting the wine from being checked unless it was in a wooden crate; and (2) FedEx would pick up our box at the airport and ship it to us in the states, which, he claimed, FedEx had done in the past for travelers like us.

Both of these statements, it turned out, were complete bullshit.

Within minutes of landing in Philadelphia, I was on the phone with US Airways. They confirmed that there was no “wooden crate” policy and that Mario had no right to prevent us from checking our wine. I also called FedEx. They don’t ship wine for consumers; you have to be a licensed distributor to enlist them to ship wine. The same is true of UPS.

Surprisingly, and to their credit, the US Airways folks I dealt with here in the states in the days that followed were sympathetic and proactive. For example, the representative at the Philly airport with whom I filed a claim report actually called Mario on the phone, told him he had no right to prevent us from checking the box and instructed him to put it on the next flight. Also, the representatives working the Central Baggage helpline sent Mario several messages telling him to ship the box. A manager from the baggage department’s corporate headquarters in Arizona kept me informed throughout the process.

But the problem wasn’t them. It was Mario. He stubbornly refused to return the wine. For example, although he told the US Airways representative at the Philly airport that he would put the wine on the next plane, he failed to do so. He then claimed that the instruction needed to come from Central Baggage. However, Central Baggage had already advised him several times to send the box.

I knew from the beginning that Mario would not budge unless one of his superiors here in the states called him on the carpet. It took ten days, but I made that happen. And we finally got our wine. Plus, as a result of this incident US Airways said they planned to have a sit down with the Rome office to make sure nothing like this ever happens again. Now, a US Airways customer should be able to check wine at Rome’s airport without any problem. That’s what happens when you mess with a lawyer’s wine.

2003 Rosso di Montalcino Ridolfi

Given the fierce campaign I waged to get the box back, you would expect that it contained expensive, extraordinary wines from legendary vintages. But it didn’t. Aside from the 1989 Chateau des Deux Moulins, all of the wines in the box were modest and inexpensive. Yet, they have more meaning to me than some of the esoteric Bordeaux and Burgundies I have in my cellar.

Massimo Pours

Wine can be more than the sum of its parts. It has the ability to capture a moment—and you along with it—even if that moment is something as simple as a meal with family or good friends. For me, those bottles are worth fighting for.

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May 31, 2007

Pocket Sommelier - Mercato

Short Rib Gnocchi

In today’s City Paper you’ll find the latest edition of Pocket Sommelier. I pair wine with two dishes at Mercato: the Ricotta Gnocchi in a Short Rib Ragu; and the intense, flavorful and organic Braised Jamison Farm Lamb Shank that was recently added to the menu.

Most people bring one bottle of wine to a BYOB. But more often than not, that one wine will not match every course. It may seem silly to bring two or even three bottles of wine to a restaurant, but the wrong wine could ruin a dish. For example, two of the Chiantis we brought went well with the gnocchi, but they were a complete mismatch for the lamb.

However, the Cab I alluded to at the end of my post about the Philly Wine Festival—the Alexander Valley Vineyards Cabernet Sauvignon Wetzel Family Estate 2004—paired amazingly well with the lamb. What’s exciting about this wine is that it has the same type of rich, spicy profile found in some of the more celebrated California Cabs, but it’s one third the price.

Braised Jamison Farm Lamb Shank

Carnivores with a conscience will not want to miss the chance to savor Mercato's new lamb dish. The meat was so tender it spilled off the bone before my fork even touched it. And Jamison Farm, located in Latrobe, PA, is known far and wide for raising its lambs on a diet that is 100% natural and free of hormones, antibiotics, herbicides and insecticides. I tasted a slight hint of anise in this dish, a flavor I could not attribute to any of the ingredients. Not knowing what it was drove me mad. When I later asked Chef de Cuisine Mackenzie Hilton what it could be, she posited that it might have something to do with what the lamb had eaten. Now, that’s organic.

For more pics, check out my Mercato set on Flickr.

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May 21, 2007

The 2007 Philadelphia Wine Festival Wrap-Up

Chateau Margaux 2001

Belated congratulations to the PLCB and Philadelphia Magazine for successfully hosting the 2007 Philadelphia Wine Festival. This year’s festival had around 40 fewer vendors and was a little more expensive than last year. However, the festival’s central location at the Mariott Hotel in Center City, the food provided by DiBruno’s (including the quince paste covered cheese and the bruschetta with freshly-cut prosciutto) and the never-ending courtesy cups of spring water provided by Panna were all improvements that helped to make this year’s festival better than the last.

Here are some of the notable wines at the festival, with a few thoughts and surprises along the way.

The First Growth Bordeaux

This year there were three Bordeaux at the festival, all of which were First Growths: Chateau Haut Brion 2001, Chateau Margaux 2001 and Chateau Mouton Rothschild 2003. First Growths are considered to be among the best wines in the world. If you’re a wine enthusiast, it’s important to taste First Growths because they are the wines that Cabernet Sauvignon producers all around the world look to as their benchmark. Though young, these three wines drank like heaven and were not to be missed.

Chateau Mouton Rothschild 2003

--Chateau Mouton Rothschild 2003 (PLCB No. 20296, $312.39): Aggressive, enamel-stripping tannins, but powerful, rich blackberry and cherry flavors lie underneath waiting to emerge; too young to be approachable now, but a treat to preview nonetheless.

--Chateau Margaux 2001 (PLCB No. 19342, $169.29): Flowery nose; softer and inviting; complex and nuanced structure of cassis, plum and dark berries systematically unfolding through a long finish.

--Chateau Haut Brion 2001 (PLCB No. 20098, $170.19): Grand and opulent; signature dark berries, cherries and spice; calculated and balanced structure with an endless finish.

Chateau Haut Brion 2001

The First Growths, though, highlight an important issue about the festival’s pricing structure. Like past years, this year’s festival employed a two-tiered pricing system: the VIP Tasting, which cost $225 and began at 6:00 p.m.; and the Grand Tasting, which cost $125 and began at 7:30 p.m. In addition to getting an hour and a half head start, the VIPs also got to experience special Showcase wines at most of the tables, including all of the First Growth Bordeaux. The Grand Tasters, however, did not.

The two-tiered system is a double-edged sword. On one hand, it opens the event up to more people than festivals with one-tiered pricing systems such as this year’s Wine Spectator’s festival, which charged a flat $200 for everyone. On the other hand, one of the main reasons to go a wine festival (if not the main reason) is to taste the cream of the crop, wines you normally wouldn’t buy. That means the First Growths. To be fair, there were plenty of exciting wines at Philly’s festival for the Grand Tasters to enjoy. But it’s unfortunate that these three important wines were not poured for the Grand Tasters.

The Italian Wines

Italian wine lovers flocked to the Gaja table, which featured two wines: the Gaja Barbaresco 2001; and a Super Tuscan, the Ca’ Marcanda Magari 2004. The full-bodied Barbaresco had wonderfully soft tannins with notes of lilacs, strawberry and blackberry, while the Super Tuscan presented rich black currants, spice and a silky, round finish.

Pio Cesare

Directly adjacent to the Gaja table was Pio Cesare, which featured a Barolo D.O.C.G. 2001 (PLCB No. 4958, $49.99); and a Barbaresco D.O.C.G. 2000 (PLCB No. 23912, price not available), among others. The Barolo, while still a little closed off, was rich, silky and lingered for minutes. The Barbaresco had smooth tannins and revealed dried plum, earth and spice.

The Pennsylvania Wines

The Philly Wine Festival is always a great opportunity to check in with two local wineries, Blue Mountain and Chaddsford. Each winery produces a Meritage (sounds like heritage), an American version of a Bordeaux, both of which I’ve always found to be somewhat challenging. However, Blue Mountain and Chaddsford presented wines at this year’s festival that were exciting and surprising.

Blue Mountain Merlot 2005

The wine Blue Mountain presented that piqued my interest was its 2005 Merlot. What’s exciting about this wine is that it is varietally correct. Don’t dismiss all Merlot because of one line of dialogue in Sideways, folks. If Merlot is not overly corrupted by the winemaker, it can taste and smell similar to Cabernet Sauvignon, which includes having Cab’s signature fingerprint of green peppers on the nose and palate. And Blue Mountain’s 2005 Merlot has that classic green pepper aroma and taste. It’s refreshing to see that Blue Mountain has the courage and skill to allow Merlot to be itself. Blue Mountain’s 2005 Merlot has not yet been formally released, but if you’re interested, you may still be able to snare a bottle of it at the Blue Mountain store in Reading Terminal Market. It has an $18 dollar price point.

The two Chaddsford wines that were the most interesting were the 2004 Due Rossi and the 2005 Pinot Noir. The Due Rossi is a 50/50 blend of Sangiovese and Barbera. This wine showed surprising structure and complexity with layers of wet earth, red berries, tobacco and coffee. The Due Rossi’s price point is in the $25 range. Chaddsford takes a subdued Old World approach in crafting its 2005 Pinot Noir. The nose did not have the intense fragrance of unswept barn and dried rose petals that is characteristic of Old World style Pinot Noirs, but the wine did have a welcomingly delicate and subtle palate.

The California Wines

PLCB Chairman Patrick J. Stapleton III may not have been a wine enthusiast prior to becoming Chairman earlier this year, but he apparently knows his stuff now. Shortly after arriving at the festival, Chairman Stapleton made his way to the Silver Oak table, where he enjoyed the Silver Oak Napa Valley Cabernet Sauvignon 2002 (PLCB No. 011663, $99.99).

PLCB Chairman Patrick J. Stapleton III

The nose on this wine was intense and evoked a very specific smell I experienced every August in my youth when my family and I would go camping in Bedford County—dense bramble and meadow after an early evening rain. But the palate—while full of the Silver Oak's familiar rich oak and dense, dark fruit—lacked some of the nuances of the 2001.

Cakebread Cellars Cabernet Sauvignon 2004

It’s hard to find a California Cab as plush and as fat as a Cakebread. Its 2004 Cabernet Sauvignon (PLCB No. 11705, $55.99) is no exception. A blend of 87% Cabernet Sauvignon, 12% Merlot, 1% Cabernet Franc, this soft and chewy wine was bursting with rich dark fruit, spice and caramely oak. It’s not the shyest of pours, to be sure, but that’s part of the fun.

There was another enjoyable Cab at the festival that had an impressive flavor profile for its price point. But because I have other plans for this wine, I’ll save the discussion for another day, closer to the end of the month.

Again, cheers to the PLCB and Philadelphia Magazine for hosting a successful event. For more pics, go to the 2007 Philly Wine Festival set on my Flickr page.

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November 05, 2006

Castellani Toscana Biagio 2001

Castellani Toscana Biagio 2001

On the nose: Not a powerful nose. Bright red cherries and oak.

On the palate: This Tuscan red is a blend of Sangiovese (85%) and Cabernet Sauvignon (15%). Tart cherry flavors carry the palate. Not overly complex, but some detectable tobacco and chocolate on the finish with a hint of vanilla from the oak. True-to-form for Sangiovese, it has a crisp acidity and soft tannins. A solid performer to be enjoyed now.

On the wallet: The Castellani Toscana Biagio 2001 (PLCB No. 005976) is a comfortable $12.99. It is available at the regular and premium PLCB stores.

On the table: Sangiovese is tailor-made for food. The higher acidity in this wine makes it a perfect match for tomato sauce-based dishes and full-flavored pastas.

N.B.: Keep an eye out for the Castellani Toscana Biagio 2003; Wine Spectator calls it a Best Buy and rates it an 88.

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May 21, 2006

Michele Chiarlo Barbera D’Asti Superiore Le Orme 2003

Michele Chiarlo Barbera D'Asti 2003

On the nose: Although this is an amazingly drinkable wine, especially for the price, the nose it not very impressive. You can detect some red fruit, but the aroma is light.

On the palate: The Barbera grape, which hails from the Piedmont region in Northern Italy, is known to produce a wine with high acidity. Aging the wine in oak, though, (six to eight months in this case) helps to balance out some of the acidity. This light bodied red starts off with bright cherry and raspberry flavors. Although there’s a hint of vanilla from the oak, the wine displays a refreshingly tangy and zesty acidity. The finish is bone dry.

On the wallet: This wine is an incredible value. The PLCB offers a lot of inexpensive wines, but the gamble often doesn’t pay off. This time it did. The Michele Chiarlo goes for a mere $11.99. You are getting a lot for your money, and it will be hard to find a wine this good for the same price or less.

On the table: Typically, oak-aged Barberas are rich and should be paired with more fuller flavored meat dishes. There is not enough oak in this wine to take it to that level, but lighter style Barberas, such as this one, are more versatile and perfect with lighter fare. It's best slightly chilled.

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April 09, 2006

Feudo Arancio – Nero d’Avola 2003

On the nose: At first, it’s mostly licorice and anise. With patience and a lot of swirling, you can coax a little fruit into making an appearance.

On the palate: This is a full-bodied and relatively one-dimensional wine. I’m used to licorice and anise being faint, background notes that add layer of complexity. Here, however, it takes up the entire stage. At first, the licorice / anise flavor bullies its way out of the bottle. It is dominant and overwhelming. If you allow the wine to breathe, the licorice and anise will spread out enough to allow some of the fruit to be noticed. However, the flavors are so densely packed together and the finish is so abrupt that the fruit does not have much of a chance to say anything meaningful. A licorice aftertaste seems to ghost around long after you’re ready to move on.

On the wallet: This wine was on sale for $8.99. If you really, really like licorice and anise, this wine is a steal. It’s unlikely that I’ll buy another bottle.

On the table: The bottle recommends pairing this wine with risotto, pasta, red meats, game, lamb and seasoned cheese. I don’t think the wine is that versatile, however. Because the licorice and anise is as heavy as it is, I would not recommend experimenting with anything other than red meat or pizza. And even then, you’ll need to decant for quite some time to give this wine a chance.

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